Meghan Judge makes research and experimentally driven pieces that allow for encounters between animations, installations and sound. Her works generally experiment with time and often condense into moods and atmospheres that draw from and speak to the material world. Through time experiments, her work allows for the thickening of the present moment in ways that question hegemonic knowing. Currently, Meghan is working with the ocean as a theme for exploring beyond the limits of power. 

 

Collaboratively, Meghan is interested in experimenting with the assemblage of parts that come together. In keeping difference whilst thinking about containers that can house the parts, she draws our attention to the encounters between the elements in her containers. She has taken part in and organized many artistic exchange experiments, both as participating artist and as curator/organizer. These include ongoing activity in the Africa|Nosy Art Echange that finds connectivity (despite border constraints) and generates actions amongst artists in Southern/Eastern Africa and the Indian Ocean.

She is a PhD Fellow in the Oceanic Humanities for the Global South project at WiSER, Wits University.

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